Domingo, 13 de Março de 2011

Carcass are an extreme metal band from England, who formed in 1985 and disbanded in 1995. A reunion was enacted in 2008 without one of its original members, drummer Ken Owen, due to health reasons.[1]

Although widely regarded as pioneers of the grindcore genre, their early work was also tagged as splatter death metal,[2] hardgore,[3] and goregrind;[4] on account of their morbid lyrics and gruesome album covers.

 

History

 

[edit] Early Days (1985-1989)

 

Carcass was formed as a D-beat band by guitarist Bill Steer together with drummer Ken Owen in 1985 under the name Disattack. After releasing a demo entitled A Bomb Drops ... in 1986, Paul (bassist) and Andrew Pek (vocalist) of Disattack left the band and were replaced by vocalist Sanjiv and bassist Jeff Walker, formerly guitarist and vocalist of the Electro Hippies. At about the same time, Bill Steer joined Napalm Death (replacing Justin Broadrick) and recorded the second side of what became Napalm Death's first album, Scum. Walker also designed the cover art for Scum.

Disattack then changed its name to Carcass. In April 1987, they recorded the Flesh Ripping Sonic Torment demo, the only Carcass recording featuring vocalist Sanjiv, who left shortly after. Walker, Steer and Owens shared vocal duties for the debut album, which was done in only four days. Despite the primitive production values of Carcass' debut Reek of Putrefaction, which the band was very displeased with,[5] it became a favorite of Radio 1 legend John Peel.[6] Due to his interest, they were asked to participate in their first Peel Session in 1989, where they debuted new material for their second album. The Peel Session was released as an EP with the band members adopting pseudonyms: K. Grumegargler, J. Offalmangler, and W.G. Thorax Embalmer. Also that year, Steer and Walker appeared as members of Lister's fictional band Smeg and the Heads in an episode of Red Dwarf.[7]

[edit] Progress (1990-1993)

 

Symphonies of Sickness, the second album, which contained a much improved production quality (courtesy of Colin Richardson), featured more death metal structures,[citation needed] longer songs with more slow passages and guitar solos. The second half of the tour in support of Symphonies of Sickness saw the addition of second lead guitarist Michael Amott, whose previous work included Carnage. Amott was to become a permanent member, playing on the second Peel Session and contributing material towards their third album.

Necroticism - Descanting the Insalubrious showed even more intricate composition and further improved production.[citation needed] Despite the addition of Amott to the ranks, Steer still handled all rhythm guitar duties, despite the album credits, with Amott only contributing leads.[citation needed] Carcass again supported the album with heavy touring, and were part of the Earache 'Gods of Grind' tour with Cathedral, Entombed and Confessor in both Europe and the United States.

The Tools of the Trade EP was released in 1992 to coincide with the "Gods of Grind" tour.

[edit] Columbia (1993-1995)

 

The band's fourth album, Heartwork, was released in late 1993. It was considered a radical change by many fans,[citation needed] which eliminated Steer's deeper vocals and the clinically gory lyrics. Again, Steer handled all rhythm guitar duties to help gain consistency between the many layered guitars that built Carcass' best production to date. Song structures, whilst still containing musically complex parts, were simpler, in some cases using the verse/chorus/verse formula.

After the release of Heartwork, Carcass signed a worldwide deal with Columbia Records, who hoped for commercial success, even suggesting that Jeff Walker learn how to sing. Some credit Carcass with being a very early founding influence for not just one, but two genres of metal – grindcore, and melodic death metal. Michael Amott left the band right after Heartwork was recorded, and was for a while replaced by Mike Hickey, who was later replaced by Carlo Regadas.

During the summer of 1994, Walker remixed the track "Inside Out" for a Die Krupps remix album, although the version stayed fairly true to the original with the exception of Owen's drum samples from Heartwork replacing the Die Krupps original, and additional mixing from Walker and Colin Richardson at Parr Street studios (where Heartwork was recorded).[citation needed]

Carcass now set about writing songs for their major label debut. During the December 1994 UK tour Carcass showcased two songs from their current writing sessions – "Edge of Darkness" and "Firmhand", both showing a more straight forward song writing approach than on previous efforts.[citation needed] Around this time, "Edge of Darkness" was recorded for the BBC Radio 1 Rock Show sessions – a session which could be found on later compilation albums.[citation needed]

Carcass at Rock Al Parque

By late 1994, 17 songs were ready and the band set about using their $200,000 advance to record the album, again with Colin Richardson, at Rockfield studios in Monmouth, South Wales in early 1995. During the 6-week recording schedule the record label began to withdraw support, stating that Carcass were not ready to record, and needed to write more songs. This advice was ignored, as was the suggestion to have Terry Date remix the album, and the band continued. At the time, Jeff Walker stated in an interview with the UK's Metal Hammer Magazine that the album was taking more of a classic rock approach, with drums, bass and twin guitars à la Thin Lizzy, in comparison to earlier "multi-layered guitar" productions. This has since been put down to Bill Steer's unwillingness to perform the time consuming guitar layering (as once again Steer performed all rhythm guitar) through losing interest in the metal genre.

During the Swansong recording sessions, Carcass were asked to remix a Björk track - "Isobel". This wasn't a remix as such but more of a re-recording with only Björk's vocals remaining. All rhythm guitars were handled by Steer, and the track saw light of day in March 1996 on Björk's "Hyperballad" single.

[edit] Demise

 

Continuing record company problems with Columbia/Sony caused the album to be delayed from late summer 1995 to June 1996, in which time Carcass moved back to Earache Records, and broke up before even releasing Swansong. The move back to Earache was dubbed by Walker as "the second great rock and roll swindle" [8] as they had effectively been paid twice for the same album.

Swansong featured twelve of the seventeen tracks put to tape during the recording sessions. This last official album incorporated more melodic elements (such as "Tomorrow Belongs to Nobody" and "Rock the Vote") and some doom metal elements (such as "Don't Believe a Word").

Kerrang! reported in June 1995 that prior to Swansong's release, Carcass would be releasing an EP featuring two tracks from what would be Swansong and three songs from the sessions that would not make the final LP. However, this EP was never released, most likely due to the lack of record company support for newly recorded material.

Walker has since stated in interviews that all seventeen songs should have been included in a double album, and that some songs omitted from Swansong were actually stronger than some of Swansong's actual content.

Carcass also remixed Killing Joke's "Democracy" (by re-recording the music, but keeping the original vocals), although this time Regadas performed all guitar duties, as it is thought Steer had quit the band by early 1996. The Carcass "Rooster Mix" was made available on Killing Joke's Democracy, and if it were not for the vocals, would not be out of place on Swansong.[original research?]

Around the time of Swansong's release, Carcass informed the press that they were ending the band without even a farewell tour, but most fans had guessed this may be the case via the album title.

The album sold well, staying near the top of the 'Indie Rock Chart' in the UK for several months above bands such as Placebo despite having no touring support from the band. It is rumoured that the band were offered several lucrative tours in 1995, such as supporting Iron Maiden on their "X-Factour 95" tour, which had the album been released as expected in 1995, could have improved the band's sales and longevity.

A posthumous compilation, Wake up and Smell the... Carcass was released in October 1996 to collect together Carcass' rarer material, including unreleased material, songs only available on EPs and compilations, and live tracks.

An accompanying video was released a few weeks after the Wake Up CD with little knowledge from the band or their management. The video, later released on DVD, featured five of the band's promotional videos, a show from the Grindcrusher 1989 tour (as a three piece) and a show from the 1992 Gods of Grind tour. Sound on the two live shows is poor, particularly the latter which Walker has described as "unmixed".

Owen, Walker and Regadas continued with the band Blackstar, accompanied by former Cathedral bassist Mark Griffiths, using the second Swansong advance from Earache to fund the recording. Blackstar, later Blackstar Rising, became defunct after drummer Owen suffered a severe cerebral hemorrhage. Michael Amott went on to found hard rock band Spiritual Beggars and successful Swedish melodic death metal band Arch Enemy. In the biggest musical departure, Steer joined Firebird, a Clapton-esque rock band.

[edit] Reunion (2007-Present)

 

Jeff Walker at Gods of Metal, Bologna Metal Fest 2008
Bill Steer at Gods of Metal, Bologna, Italy 2008
Michael Amott at Gods of Metal, Bologna Metal Fest 2008

In June 2006, in an interview with Walker, he discussed the possibility of reforming Carcass, but mentioned that it was unlikely that Owen would participate, since he couldn't replicate his former drumming proficiency due to the effects of the cerebral hemorrhage he suffered in 1999.[9]

In September 2007, it was announced by Michael Amott that he was rehearsing with Bill Steer, Jeff Walker and Daniel Erlandsson (replacing Ken Owen) in secret to rehearse old Carcass songs for a possible reunion tour. The original plans were to play at several festivals during the summer, but they couldn't meet the deadlines.[10]

In October 2007, Carcass were confirmed to play at German heavy metal festival Wacken Open Air and Finland's Tuska Open Air Metal Festival in 2008.[11] Carcass later embarked on a reunion tour, beginning on June 6, 2008. Carcass also played at Hellfest Summer Open Air, Metalcamp and several other festivals. The band toured Australia and New Zealand in 2008, and then in North America during September and October 2008, followed by the band's first South American tour, playing in Colombia, Chile, Argentina and Brazil.

On November 15, 2008, Carcass headlined the Danish Metal Awards held in Amager Bio, Copenhagen, Denmark. This was the only chance for fans to see Carcass in Denmark, since Denmark was not part of the official tour in 2008. Steer also presented the award for Best Danish Debut Album, which went to SCAMP for Mirror Faced Mentality. Carcass surprised the audience by bringing Ken Owen to the stage where he gave a brief drum solo to show how far he had come in recovering from his illness.

Carcass performed an exclusive UK show at the Damnation Festival in Leeds; Walker hinted at the time that the Damnation performance may have been their last show ever. It was the first time Carcass had played in England in 14 years.

Carcass also re-released their entire back catalogue with bonus material during 2008 on Earache Records.[12] When asked if the band were planning on writing and recording a new album, Steer replied:

I would be very surprised if that would really happen. But never say never, I’m always the last one who needs to be convinced. Michael and Jeff are much more busy with those things than I am. I’m also not very much involved in the planning of all the festivals which are scheduled. At this moment, I barely know in which countries we’re all going to play.
 
— Bill Steer, Voices from the Dark Side[13]

Carcass continued to play live in 2009, with a North American tour completed in March 2009. Carcass also headlined the Bloodstock Open Air in Derbyshire, England in August 2009.

In August 2010, Carcass headlined Vagos Open Air in Vagos, Portugal,[14] and Jalometalli Metal Music Festival held in Oulu, Finland.[15] At Hellfest 2010, they performed the Necroticism album in its entirety.[

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